limited backstock on this timeless house-classic from 1987.

costa rica based mobius strum teams up with us singer and songwriter cari golden to show us the deeper side of his resident club >vertigo< in san jose. 8bit co-honcho nick curly adds a long and magic dancefloor monster with subtile breaks and still focus on the beautiful voice. 2 additional tracks round it up and end up 2012 after a successful year for the label

incl club mix, wankelmut in dub mix, instrumental, stateside

piek and friends deliver a solid retro themed deep house pack on pistons latest vinyl outing. top quality beats and classic samples will have you bouncing all night long. bjerk peterson joins in on nasty serving up a real tasty club cut with those familiar sounds we all love while pawas delivers a sublime, deep funk fuelled remix. on the flip efron drops by on the stunning bass monster ma business backed up with a super remix from hector couto. a straight up solid groove and a definite must have 12inch for those boxes!

12 sees detroit label, kms records, celebrating its 25th anniversary.the final set of samplers for the series contains inner citys seminal anthems big fun & good life.backed with the hard to find remixes by juan atkins, derrick may, steve silk hurley, les adams & kevin master reece.if you do not have these timeless classics in your collection now is your chance!!

newly mastered and cut on 45 rpm, knuggles recordings issues two kicking club tracks by netto houz from their album >room 7101<. >noctambulism< and >rossis records< were recorded in 1997 under the strong influence and in deep adoration of the music released by the great chicago house labels of that time. vinyl only, limited to 200 copies.

every once in a while a record or in this case an ep comes along and its so bursting with feel good vibes that even the most cynical dance music listener cant resist. at the mere age of 19, francisco davalos is about to grab the attention of many. simply put, the young mexican has a superb ear for the language of music. after a recent 12 on nurvous (nervous records new sublabel), on the prowl finds itself lucky to land these four tropical themed disco tinged club bombs. with hints of what made tensnakess coma cat so successful the bronx skillfully puts together his tropical ep packed with plenty of playful pianos, strings, congas, marimbas... theres no holding back.

these redux releases are like buses, we dont hear anything for ages then they hit us with three killer eps in a row. following the grand corporation and machete savane comes the return of phoreski. we have not heard much from phoreski for a little while, but you will soon hear why when you put the needle to the record on these two new tracks. he has been busily building up his studio into an enviable aladdins den of vintage kit, wires and analogue recording equipment. all synths and vocals you hear on these tracks come from phoreski, no samples, no guests, no edits. he has been hinting at this raw, analogue authentic sound for a while, but these tracks showcase a producer at one with the machines. >brown biscuits< comes across like some lost italo/cosmic gem, but via the north east of england rather than the lakes of italy. >machines< flexes tight proto-house rhythms with some bass that will make mince meat of lesser club soundsystems whilst the feuding synth lines fight for attention. this is proper body music, play loud!

niche n bump is a new label from london, started by one of the crew behind the wifey club nights. their stated aim is to make records that djs will play forever, not just a few weeks, and they are taking an emphatic step towards that goal with an inaugural release by the timeless spatial.
the record begins a new phase for spatial, where intuition and chance take over, with whirlpools of echo sucking in disco vocals and reggae samples.

2019 reissue - wie showbiz und ag moegen twit one und lazy jones ihre pockets fat not flat (taschen voll nicht leer). aber wie das schicksal halt so spielt, ist das nicht immer der fall bei den beiden musikern aus koeln. deshalb nennen sie ihr projekt flatpocket und haben ein gemeinsames album zu diesem thema aufgenommen. fuer fans der hi-hat club- & beat fight-serien!

mit tiefem groove und schönem gerassel kommst sie daher die studioassel. dies entzückende release kommt vom 3000 grad neuzugang dolph, der hier nun seine solo ep präsentiert. 3 wunderschöne tracks die im club sowie im wohnzimmer tief unter die haut und direkt in die synapsen gehen. den passenden remix, wie soll es anders sein, packt labelpapa mollono.bass obendrein.

vol 4 of 6 vinyl samplers taken from john digweeds >live in london< lp. hand picked by the main man himself.

diva is a project which explores the outer regions of technos psyche - combining the trippy sensuality of chris & cosey with the brutalist analogue aesthetic of the likes of robert hood or liasons dangereuses. inspired by the vocal histrionics of strobe lit sirens such as loleatta holloway and jocelyn brown, diva calls on the protean roots of basement club music. lead track >paris stabbing< is a stunning excursion into motor city madness, abstracted disco vocals clash with a broken digi-arpeggio and hooverish bass break down, whilst the flip side >but i ve never< imposes a detuned synth siren over an industrial bass sequence and sp1200 piano stabs to eerie effect. also included is the >paris stabbing (beats)< which pares down the original, adding detuned melodic percussion into a minimalist after hours tool.

fear of flying unleash their first ever lp with dutchman ivano tetelepta undertaking the honours. the 8 tracks on the vinyl are a step away from the traditional straight up 4/4 route that fof usually tread, feeling that for an lp to make a splash in the modern era it has to be more about the flow of tracks as a whole, rather than just a double pack of straight up house beats. there has to be a splash more emotion and feeling with the emphasis on mood. yet that isnt to say there arent club worthy tracks, far from it. the glorious twisted 120 and deep tech funk 119 are custom made for the dancefloor and are exclusive to the vinyl release

ltd 2016 repress ....phat atmospheric neo-detroit minimal and little bit pumpin club techno two tracker !!

the protagonists of 8. mimique vinyl kanzler & wischnewski from berlin are well known for their releases on ostfunk, karateklub, ton liebt klang and their shows in clubs like the tresor and magdalena club (formerly maria) where they have won the hearts of many listeners.

steve lees (the project club) above machine label returns with a superb 12 from the vendetta suite, the brainchild of gary irwin - belfast resident and long-term collaborator with david holmes. irwins inspiration comes from weatheralls seminal a love from outer space and belfasts early 90s sugar sweet nights. irwin creates two pieces both in thrall to the keeping the faith balearic scene. additional remixes are provided by disco aficionado ray mang (dfa) and nottinghams heavy dub brothers shrinkwrap. above machine are heading straight for the dance floor on this release.

par grindviks sinister label raises its dark and mysterious head for the second release, >sinister 02<. joining par on the release are a collection of artists whos individual styles have earned them well-respected plaudits across electronic music. they share common ground, but keep to their own unique form in this release. pars sinister imprint continues where it left off, pulling in four sombre, yet powerful tracks - something for every stage of the club.

bernard badie who is the creator the undisputed chicago house classic time reveals to many also know as i can feel it (original released 1994 on night club records and re-released as mojuba 010) returns to mojuba after his most recent cooperation with the incomparable dajae on bones!

this ep picks up where those moments left off. windfall and lied are killer non-linear batty disco infused house jams that set dancefloors alight while try the impossible and in public are deeper jams for the more serious moments of club emotion if you can put it that way. a rare future classic club twelve inch for our deejay friends.

sev dah makes his debut on komisch with three unique club tracks. the mysterious producer has been making waves with releases on naked index and gynoid, but he has reserved his most individualistic music for komisch. lead track otit revolves around a surging, powerful bass and subtle metallic percussion. its a prelude for a doomy synth line that gives the track an intangibly eerie feeling. on the flip, disciple is led by heavy claps and a more stepping rhythm, but the lunging bass and eerie synths ensure that itll have maximum impact in a club. >tension< also travels a less obvious route thanks to its offbeat rhythm. but its beats are stomping and the dark, churning filter, coupled with sev dahs haunting synths, means its getting support acoss the board

disclosures new single >latch< stormed out of the blocks and has racked up almost half a million plays across soundcloud since going online last month and we now have the video courtesy of recent collabrators bullion (they produced disclosures first video for their track >control<) which has received over half a million plays since going live on 10th october. latch feat. newcomer sam smith marks the first single for their new label home pmr records (jessie ware, two inch punch, julio bashmore). the brothers recently announced their first london headline show at plan b on december 6th, which sold out almost immediately, with this the boys have lined up their debut national tour culminating in a show at heaven in london which is also sold out.

the verwunschen ep got influenced by many deep house music, tech house, but also by electronic underground music, which was not made for the club. a mixture of this and organic instruments, which are typical for his music, made the music warm and melancholic, but the cutted vocals brought a little clubby atmosphere in the track. in the bonus track >bosporus< you hear the influence of berlin tech house music. trumpets were very popular at that time in berlin. the track was only made for the club. remixes from marlon hoffstadt and matthias kick were organised, who did their own interpretation and showed some other sides of the song.

new dolly sublabel! as dolly is mainly focussed on classic detroit/ chicago inspired house and techno, dolly dubs will widen the spectrum. first up is staffan lindberg from sweden (known for his remix of steffis yours) who delivers four excellent modern and sharply produced house/club tracks that will work on any floor.

highly demanded 10 inch... club version = house monster !! check

four deadly cuts of timeless, jackin house and deep techno professionalism. och returns to his autoreply home with a new series of split 12s inviting a diverse group of producers to share a slab of wax. for the a side he opens with >deltic< which sets the mood with tough yet soulful chicago vibes. ochs second contribution is >freeze-thaw< showcasing a deep, hypnotic groove alongside powerful sub-bass, lush female vox with dreamy analogue pads that bridge the gap between artistic creativity and memorable club versatility. on the flip side its romanian all-rounder, the model, who has previously graced premium labels such as traum schallplatten and international dj gigolo. here he delivers two ultra-phat workouts in the form of >dungeon man<, an infectious chord driven floor-burner and >stancuto< a stripped back, percussive take on the same theme demonstrating his emerging new warehouse sound with just the slightest salute to echocord or dehnert...

it is with great pleasure to announce the first jet jam single, which comes in the form of a collaboration between star slinger and sound pellegrino founder teki latex. together they have created a tune you will be iding at the club in no time. featuring tekis screwed-down lyrics over slingers soca-snare-driven house production. the superb renaissance inspired artwork is by michaela selmani. one of the founders of jet jam.

the creative combo doppelgaenger, pitchbar records latest offspring, are hitting the club scene with their vinyl debut >lumberjack<.
in the track >flavoured funk<, doppelgaenger live out their hard-edged, pushing, deep side. the slightly trancy elements are joined by a hard kick drum and somewhat deep vocals contributing to the tracks dark and driving atmosphere. this track represents a homage to the thick tree trunk that drives itself firmly into the earth, covered by a resilient bark and crowned by its old cracking branches.
the second track, >i feel good now<, mirrors the trees lush foliage. somewhat lighter around the treetop, there is nonetheless a solid body below, which can be played into wide space. >i feel good now< gives us the lightness to leap from branch to branch and up into the crown that protrudes into a dark night time sky.

bring u up originally appeared on romans blackmale label in 1995 as a rumbling slice of new jersey garage complete with gospel samples and romanthony collaborator the trojan horse. it was a bit of a cult favourite with underground heads like dj deep. it wasnt until roman completely re-produced and re-sang the song in 2000 that it fully took on anthem status. out went the heavy kicks and hypnotic moods and in came james brown horn stabs and a live beat that sounded like bernard purdie had joined him for the session (the drums were actually provided by roman himself). the result was an instant club hit with everyone from pete tong to francois kevorkian that reached (a very respectable 74) in the uk national charts. on this 12 inch deetrons takes the funk vibe of romans 2000 version and toughens it up for todays dancefloors, lee webster adds a monster baseline and some serious beats. on the flip-side the original blackmale version is re-issued on vinyl for the first time as is an unreleased dj friendly edit of the 2000 version done by kevin mckay.

the third ep by the durian brothers is called >cubs ep< and completes the trilogy of first recordings by the brothers to express their unique vision of a rough and direct club music that has its roots in minimal techno, noise and ethnic trance music. like its precursors, it comes in a foldout silkscreened cover, the cover artwork is again taken from a medicine book of the 1920s and reflects the durian brothers aesthetics of dense, analogue black and whiteness.

a rare chance to get hold of two of pop legend princes most sought-after dancefloor bombs on one slab of 12 inch vinyl. this great remastered reissue features the super-rare long versions of both >sexy dancer< and >controversy<. both originally only available as limited promos, these awesome extended versions went on to become underground club classics receiving heavy rotation from the likes of larry levan and ron hardy amongst many others.

this time last year, life and death the dream team comprised of modern house heroes tale of us and thugfucker released a dual weapon of stealth killer club tracks ‘step aside. now given the royal remix treatment by super producers carl craig and jamie jones plus rework flexing their minimal funk, the ep gets a whole new lease of life.

life recorder aka, kriss kortz, with his original mix of beyond taking us on a journey with clean crisp percussion and beautifully constructed stabs that melt and transform us into a head bobbing junkie. first on the remix is the machine kirk degiorgio, keeping his mix tight and ready for the big floors, concentrating your soul on what we can only describe as hard-boiled funk. the second course is landed on our plate by label head elliott dodge, maintaing his raunchy 909 undertones and reverberated stabs, keeping us waving for one more. detroit born dj3000 aka: frank juncaj, takes his adaptation of beyond far into club technos sweet harmonious land of uplifting swagger.

vidab keeps on its quest of finding and releasing new and raw music. the 16th vinyl release of the berlin based label, comes from milans privat residents hiver with their debut production titled >a day< ep. hivers musical spectrum contains dark and distant elements, ranging from the darkest rhythms of dub-techno to melodic capturing lines. this can be evident in the two tracks on this single >a day< and >reduced< which convey their club experiences of moving a dancefloor in one solid package.

kuhns sophomore effort for civil music, kings ep is a collection of four diverse uptempo club tracks with an eclectic sampling palette and footwork-inspired rhythmic complexities.
includes full high quality download of all tracks with additional remixes.

the organ grinder made a lot of noise with his sought-after obsession track late last year. his unique and raw blend of deep house and uncompromising beats perfectly fits 4lux catalogue so, here the grinder serves you with 4 mighty dancefloor bombs. smiley face is a tough ravey club track with catchy vocals and blunt stabs. project features a collab with jessy allen resulting in a mesmerizing tune. universe is another pumping track reminiscent of early belgium rave music but then in a true organ grinder club-vibe. heaven is a smooth nugget with delicate strings, simple organ notes and atmospherical vocals.

dj nature aka milo steps uponce again to the indispensable golf channel label, with his eagerly awaited debut artist album comprising all original material. a founding member of legendary bristol sound-system collective the wild bunch (which spawned massive attack, tricky and much more), nature made nyc his home in the early 90s & went on to collaborate with the major force crew in japan, before hooking up with gc boss phil south, who thankfully persuaded him to don his production cap once again. there followed a series of acclaimed 12 inch releases through gc which developed a trademark sound, a sound he’s fully realised on >return of the savage<. natures unique take on modern black music is somewhere between the bass heavy sound system cuts on which he cut his teeth and the more nuanced vibe of peers like theo parrish. irresistible, low slung and beautifully structured yet raw club pieces make up this outstanding selection - a superbly packaged gatefold double lp, complete with download codes for individual tracks as well as the mixed version.

new leng signing auf togo are the combination of clement cachot-coulom from the fabulous penetrators and sasa crnobrnja, one half of in flagranti. their combined sound is one of vintage recording equipment and instruments coupled with tweaks and blends from the modern studio. this new 12 inch for leng draws on all their knowledge of the past and of the current club scene, effortlessly gliding through deep, warm analogue sounds and tougher studio techniques. both tracks have guitar work that reminisces of a late 60s west coast scene laid over strong bass lines and beats giving the perfect mix of home listening fuzz and a late night dance floor.

french fries delivers two originals on the cutting edge of modern bass. “space alarm” is right up in your face but artfully holds back right when you think it will go over the top. the inside “smoke wine” is more in the vein of last years smash “yo vogue,” yet more understated and deep which is rare for the genre. when i play these at the right time they always solicit an audible “ooooh” from the crowd at thedrops. remix #1 is by justin martin who really blows it up dirtybird style with almost a breakbeat old school electro beat. remix #2 is by dirtybird newcomers goldffinch via belgium who also deliver a really funk laden club version. both remixes are ace and the full release brings a very fresh sound to the label.

london based club night and freshly formed label sub skank kick off with the first of three various artist limited 12 inches, guaranteed to annihilate any bass driven dance floor.

excellent remix package with beautiful remixes from risung sun and convextion... lit clear vinyl, for those who knows

djulzs bass culture records revisits home soil with its forthcoming work ep, from young parisian techno gem, john jastszebski. bubbling under the radar whilst building support through residencies at paris social club and rex club, jastszebski received affirmation for his early productions from the likes of luciano, richie hawtin and agoria. flash forward to late 2012 and djulz has snapped up the talented producer for a four track ep, backed by a bonus remix from chicago born, detroit raised house don, delano smith. the work ep is all twilight silkiness, the skill behind the alluring, forward thinking construction instantly inviting you on the journey. from soothing piano riffs to tribal drum work and allusions to mother nature, the work of both jastszebski and smith on the remix maintains bass cultures tradition of technical clarity and creativity.

jason little takes it up against the world for the 2nd time. this time its hard techno beast jason vs. sepromatiq / sml / greg notill / leo laker and instigator. get ready for some serious terror!

each track has been produced, played on, arranged and mixed by yousef, with collaborations coming from mercury prize nominee gwilyam simcock on the open and fresh sounding album finale dissolve . in fear of dusk features neil campbell, one of the uk s finest classical guitar players, creating an evocative masterpiece that is arguably yousef s strongest (and most complicated) club offering yet.already the dancefloor workouts have received heavy support from dj elite, with loco dice, magda, carl cox, guti, uner and nic fanciulli already wearing thin the promo copies. the project has allowed yousef to open up his collaborative instincts too, inviting some unknown but extremely talented musicians to perform.

illuminating late night in pure electronic genius is this brilliant portfolio of ocean deep productions. leading off, drivetrains (detroit, usa) >together< rocks the floor from the first dropped beat. but the real surprise is the evolving melodies submerged in infectious groove. rubba js (brussels, bel) soiree debut >reflection< details a meticulous syncopation dancing through relentless rhythm. absent for over a decade, country gents (london, uk) return to soiree with >need me<. club-tested, the booming bass and powerful vocal provide a wicked sonic high. professor inc (paris, fra) brings another earth quaking, body-shaker. >luvin< fuses clever chord progressions, subsonic riffs and the tweaked-out vocals of kris magnetik. aqua marine – redefining the fathomless depth of the underground.

the second gotwax! ep is a slamming longsided club two-tracker with detroit- and dub-flavoured raw-body-music. the future as it used to be! both tracks come from our new artist obsoletetechnology.

after the hit >confiara< (vibe002) fabio alampi gives us another awesome dancefloor bomb! vibe005 >escape< pushes loud from the first to the last beat of kick, surfing in a techno percussion kit, dancing on a killer bass-line stoled from the dirty detroit club of late 90s that lets you trip when an incredible dark voice speaks directly to your soul. cant miss an amazing series of remixes, opened by the big-boss alan fitzpatrick . (drumcode/soma/sleaze), essential and straight, violent and elegant, powerfull detroitish pure techno. we will find the same detroit-vibes also in the remix by francesco bonora (abstract theory/plastic city), gumming and bright ambient, big kick, far voices. so good. &#8232,,,,,,,to close the remixes, sarp yilmaz (apparel) retouched the original mix to create a really grooving old housy beat, slowly and rolling. can you escape?

autodiscothque follow up on their cracking rayko release with a hot new edition by current greg wilson favourite...pez! continuing the labels >more ron than larry< dance floor philosophy, pez drags the sound of pop back into the underground and makes it want to jack. strictly for club demonstration only.

the sailorman ep is probably the most personal in alle farbens discography up to now in which he turns cherished pieces of music history and poetry with great love for detail and transforms them into contemporary club music. with it he shows his preferences for classic singing, lyric, the coast and the sea. through the clash of the unusual alle farben produces again and again a successful symbiosis and creates a unique stimulus. with the remix ep alle farben rallies round a few of his companions oft he last years and a familiar colourful musical mixture came into being.